Use it! N-Gage |
|
|
Read it! Dogme Uncut Lars Von Trier, Thomas Vinterburg and the Gang That Took on Hollywood Jack Stevenson Santa Monica Press, $25.95 With Lars von Trier's new film Dogville generating buzz on the film fest circuit, this is a timely look at the Dogme philosophy of filmmaking. In 1995, von Trier (Breaking the Waves) and three fellow Danish directors swore allegiance to a "vow of chastity" aimed at filmmakers creating emotionally manipulative, high concept productions. "Dogme 95" demanded a return to the basic core of filmmaking - use of natural lighting and refusal to use specials effects, soundtracks or movie sets. Stevenson follows the movement from its early conception to its current incarnation with a mixture of history, analysis and reportage.
|
Hear it! School of Rock Atlantic Jack Black's box-office topper has a fun and kooky soundtrack that features a dash of everything. You get a faux band fronted by Black and the actual kids from the movie (coached by Sonic Youth's Jim O'Rourke) tackling songs by AC/DC and New York punks The Mooney Suzuki. Snippets of Black's dialogue are interspersed with classic cuts from monsters of rock like T-Rex, The Who, The Doors, Cream and Led Zeppelin. Contributions from alternative bands (The Black Keys, The Darkness) who ape those past masters round out the disc and they prove to be the most enjoyable. Kill Bill: Vol. 1 Maverick The only thing that's as highly anticipated as a new Quentin Tarantino film is the soundtrack from said slab of celluloid. His movies are so uber-stylish that anything less than a note-perfect companion would ring hollow in the ears of his fans. Fortunately, the string of sonic successes continues with Kill Bill: Vol. 1 - it's a wild chop-socky ride that offers us gems from Isaac Hayes, Nancy Sinatra and Zamfir (no, really!) then follows them up with some vintage Tarantino dialogue. You're not impressed yet? How about a 10-minute disco/flamenco version of "Don't Let Me Be Misunderstood"? Still indifferent? Maybe adding a Japanese rockabilly mash-up and Al Hirt's frantic theme from The Green Hornet will do the trick. Yeah, we thought so. Welcome back, Mr. Brown. Brother
Bear
|